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<channel>
	<title>Contre-Jour Art</title>
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	<link>https://contre-jour.info</link>
	<description>by Karlo Walz</description>
	<lastBuildDate>Sun, 30 Nov 2025 19:42:38 +0000</lastBuildDate>
	<language>de</language>
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	<url>https://contre-jour.info/wp-content/uploads/2016/08/cropped-cropped-Contre-Jour-2015-05-favicon-150x150.png</url>
	<title>Contre-Jour Art</title>
	<link>https://contre-jour.info</link>
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	<item>
		<title>Schau &#8211; Exhibition in Sinberlin at 3rd and 4th Dec</title>
		<link>https://contre-jour.info/2025/11/8042/</link>
		
		<dc:creator><![CDATA[Karlo]]></dc:creator>
		<pubDate>Sun, 30 Nov 2025 19:41:00 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Sinberlin]]></category>
		<guid isPermaLink="false">https://contre-jour.info/?p=8042</guid>

					<description><![CDATA[&#160; SCHAU!!! Schau &#8211; schau wohin, schau woher, oh schau, schau mal, schau weg, schau, schau!, schau an, schau über, schau genau, schau schau.. ich, du, wir schauen ich, du, wir werden geschaut ich du, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p><span class="x1lliihq x1plvlek xryxfnj x1n2onr6 xyejjpt x15dsfln x193iq5w xeuugli x1fj9vlw x13faqbe x1vvkbs x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x x1i0vuye xvs91rp xo1l8bm x5n08af x10wh9bi xpm28yp x8viiok x1o7cslx" dir="auto"><span class="x193iq5w xeuugli x13faqbe x1vvkbs xt0psk2 x1i0vuye xvs91rp xo1l8bm x5n08af x10wh9bi xpm28yp x8viiok x1o7cslx x126k92a">SCHAU!!!<br />
Schau &#8211; schau wohin, schau woher, oh schau, schau mal, schau weg, schau, schau!, schau an, schau über, schau genau, schau schau..<br />
ich, du, wir schauen<br />
ich, du, wir werden geschaut<br />
ich du, wir werden schauend geschaut<br />
wohin ich schau das bin auch ich<br />
mein Schau entblöst mich<br />
mein schauendes geschautes Ich ist nackt<br />
ich schäme mich für mein schauen<br />
Komm schauen<br />
Lass dich schauen<br />
SCHAU!!!</span></span></p>
<p>&nbsp;</p>
<p><span class="x1lliihq x1plvlek xryxfnj x1n2onr6 xyejjpt x15dsfln x193iq5w xeuugli x1fj9vlw x13faqbe x1vvkbs x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x x1i0vuye xvs91rp xo1l8bm x5n08af x10wh9bi xpm28yp x8viiok x1o7cslx" dir="auto"><span class="x193iq5w xeuugli x13faqbe x1vvkbs xt0psk2 x1i0vuye xvs91rp xo1l8bm x5n08af x10wh9bi xpm28yp x8viiok x1o7cslx x126k92a">Exhibition „Two“<br />
with Kris A. &#8211; radiant bodies ( <a class="x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" tabindex="0" role="link" href="https://www.instagram.com/krisa_radiantbodies/">@krisa_radiantbodies</a> )<br />
and Karlo Walz &#8211; Schau ( <a class="x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" tabindex="0" role="link" href="https://www.instagram.com/contre.jour/">@contre.jour</a> )</span></span></p>
<p>At SinBerlin 3&amp;4 dec, 4-10pm<br />
Berlin Kreuzberg, Nostitzstrasse 48 Basement</p>
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		<item>
		<title>TWO: Photo Art Exhibtion</title>
		<link>https://contre-jour.info/2025/11/8026/</link>
		
		<dc:creator><![CDATA[Karlo]]></dc:creator>
		<pubDate>Mon, 17 Nov 2025 22:10:49 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Blog]]></category>
		<guid isPermaLink="false">https://contre-jour.info/?p=8026</guid>

					<description><![CDATA[TWO: Photo Art Exhibtion 3rd and 4th December, Sinberlin (english) The exhibition title, &#8222;Schau!&#8220; (Look!), acts as a multifaceted imperative, speaking differently to each participant involved. To me, the photographer, it is a call to [&#8230;]]]></description>
										<content:encoded><![CDATA[<h1>TWO: Photo Art Exhibtion</h1>
<h2>3rd and 4th December, Sinberlin</h2>
<p>(english)<br />
The exhibition title, &#8222;Schau!&#8220; (Look!), acts as a multifaceted imperative, speaking differently to each participant involved.<br />
To me, the photographer, it is a call to conscious perception—to capture the decisive moment. For my model it is an invitation to remain deeply present in her experience. And for the viewer, it is a challenge to look beyond the surface and reflect on what they encounter.<br />
By bringing together my photographs of Kim, Jin-Young taken over the years, this exhibition explores the tension between the inner and outer gaze. It engages with the act of revelation intertwined with concealment, asking what emotional or intellectual responses this duality might provoke.<br />
In essence, nude photography often lays bare the photographer&#8217;s own aesthetic, desires, erotic yearnings, experiences (or lack thereof), and fantasies.<br />
To create images of such intimacy, a profound trust between photographer and model is essential. The process becomes one of surrender—trusting the flow and relinquishing specific expectations. It is about fully embracing what the model and the moment provide, being entirely in the here and now, and finding depth within the inherent limitations.</p>
<p>(german)<br />
Die Ausstellung „Schau!“ ist ein vielschichtiger Imperativ, der die Beteiligten in verschiedener Weise anspricht.<br />
Für den Fotografen, ist es ein Aufruf zur bewussten Wahrnehmung – den entscheidenden Moment einzufangen. Für mein Model ist es eine Einladung präsent in ihrer Erfahrung zu verweilen. Und für den Betrachter eine Herausforderung über die Oberfläche hinauszusehen.<br />
Indem diese Ausstellung meine über die Jahre entstandenen Fotos von &amp; mit Kim Jin-Young zusammenführt, erforscht sie die Spannung zwischen dem inneren und dem äußeren Blick. Sie setzt sich mit dem Akt der Enthüllung auseinander und fragt, welche emotionalen Reaktionen diese Dualität hervorrufen mag.<br />
Im Wesentlichen legt die Aktfotografie oft die Ästhetik und das Sein des Fotografen offen – seine Begierden, erotischen Sehnsüchte, (fehlenden) Erfahrungen und Fantasien.<br />
Der Prozess wird zu einer Form der Hingabe – dem Vertrauen in den „flow“ und dem Loslassen von Erwartungen. Es geht darum, voll und ganz anzunehmen, was das Model und der Moment bereithalten, gänzlich im Hier und Jetzt zu sein und Tiefe innerhalb der inherenten Grenzen zu finden.</p>
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		<title>CIELAB Color Space</title>
		<link>https://contre-jour.info/2025/08/cielab-color-space/</link>
		
		<dc:creator><![CDATA[Karlo]]></dc:creator>
		<pubDate>Wed, 06 Aug 2025 15:57:13 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Programming]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[CIELAB]]></category>
		<category><![CDATA[Color Model]]></category>
		<category><![CDATA[Javascript]]></category>
		<guid isPermaLink="false">https://contre-jour.info/?p=7059</guid>

					<description><![CDATA[Because of my lack of satisfaction when I see programmable LED ART Projects, I was thinking a bit more about the colors used in any of the projects &#8211; my assumption and based on my [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Because of my lack of satisfaction when I see programmable LED ART Projects, I was thinking a bit more about the colors used in any of the projects &#8211; my assumption and based on my experience on my own projects.<br />
In my previous project about the &#8222;imperial temple of the light bugs&#8220; I used the color model <span data-huuid="4666084266642066935"> &#8211; HSV (Hue, Saturation, Value) color model. For the colors&#8216; determination, I used hue, while saturation and value was more given by circumstances within my model. The hue values pairs were the characteristics of each light bug individual. So I diced, using random(), these.<br />
Now if you use random on hue you get a bias to some colors as it prefers for example blue or red over orange and green.<br />
Even more, the models are also overusing high saturated colors instead of lower saturated colors and so on.<br />
So if you want your worked to become colorful in the sense of the colors of butterflies, you need to invest more time and energy into the color model.<br />
I digged a bit deeper, asking <a href="https://www.deepseek.com/">deepseek</a> and <a href="https://chatgpt.com/">chatgbt</a> about color models just to find out that there is already a perceptive color model which can be used (or might be good enough)<br />
<a href="https://en.wikipedia.org/wiki/CIELAB_color_space">CIELAB</a>. The idea behind this model is that it introduces a metric which gives you the physiological distance between colors as a number. This metric tells you if you can differentiate the colors at all with a number &lt;2 or if these are very away from each other &gt; 10.<br />
Also there are borders of perception integrated into this model which tells you if your perception stops at all even that the colors might be different as this is the horizon of your color impressions at all.</span></p>
<p>If you try to find then all colors in this model which are just about 2 away from each other you might get your physiological color map you might want and need to show all colors you can see.<br />
This is the granular element.<br />
On top of this you can then calculate the perceptive complement, split complement, triad, tetradic harmonies, the nearest neighbor and so on.<br />
The first step into this I have done now using JavaScript as the language as my IDE for programming can handle this very well (<a href="https://www.jetbrains.com/pycharm/">PYCHARM</a>) and with <a href="https://p5js.org/">p5.js</a> there is a very well setup library for the 3d presentation and integration into a webpage.</p>
<p>Finally I am currently happy with my results of having about 5000 colorpoints in the Lightness (L star), Green/Red Dimension (A star) and Blue / Yellow Dimension (b star).<br />
I am using the polar coordinates with Lightness, Chroma and Hue (CIELUV) which are just as mentioned a different mathematical description of the vectors in this 3 dimensional space.</p>
<p>For example the figure below where the L axis is pointing from lower left with white (non visible) to the viewer in black<br />
while you can see the colors in the plane with these 4 primary elements (blue and yellow, green and red).</p>
<p><img fetchpriority="high" decoding="async" class="aligncenter size-medium wp-image-7202" src="https://contre-jour.info/wp-content/uploads/2025/08/IMG_9531-2-600x450.jpg" alt="" width="600" height="450" srcset="https://contre-jour.info/wp-content/uploads/2025/08/IMG_9531-2-600x450.jpg 600w, https://contre-jour.info/wp-content/uploads/2025/08/IMG_9531-2-2018x1514.jpg 2018w, https://contre-jour.info/wp-content/uploads/2025/08/IMG_9531-2-768x576.jpg 768w, https://contre-jour.info/wp-content/uploads/2025/08/IMG_9531-2-1536x1152.jpg 1536w, https://contre-jour.info/wp-content/uploads/2025/08/IMG_9531-2-2048x1536.jpg 2048w, https://contre-jour.info/wp-content/uploads/2025/08/IMG_9531-2-400x300.jpg 400w, https://contre-jour.info/wp-content/uploads/2025/08/IMG_9531-2-1920x1440.jpg 1920w" sizes="(max-width: 600px) 100vw, 600px" /></p>
<p>the 3D model can be viewed in this page here.</p>
<p><a href="http://karlo-walz.de">Color Burn Art</a></p>
<p>A few words to the graphics. The lines between the dots is a chain from one color dot to the next available nearest neighbor and so in the end this is the full chain of all colors starting from black to the end with all its different flavours.<br />
I need to add a few more structural elements to this model, like real nearest neighbors.<br />
I should extend this to a proper class.. with all the function we wanna have to use this in our color art.</p>
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		<item>
		<title>Cank Ausstellung Berlin Neukölln</title>
		<link>https://contre-jour.info/2025/04/cank-ausstellung-berlin-neukoelln/</link>
		
		<dc:creator><![CDATA[Karlo]]></dc:creator>
		<pubDate>Sun, 27 Apr 2025 20:16:17 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Ausstellung]]></category>
		<category><![CDATA[blog]]></category>
		<guid isPermaLink="false">https://contre-jour.info/?p=5825</guid>

					<description><![CDATA[I checked out yesterday an exhibition called Cank &#8211; Show of the artist at Culturim Studios. Culturim Studios is a studio rental company who rents out temporary places which are not used like not used [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>I checked out yesterday an exhibition called Cank &#8211; Show of the artist at Culturim Studios.<br />
Culturim Studios is a studio rental company who rents out temporary places which are not used like not used warehouse buildings..<br />
not used shop rooms..<br />
I try to visit quite often exhibtion for not only to be impacted but also train myself in &#8222;you never get a first view / impression again&#8220; for an art..<br />
to train to feel my emotions, my inner linked.. and also my art-failures..<br />
So I went there with my idea of walking through and what impacted my I will do a photograph from and will later review this harvest.<br />
I was a bit surprised about the &#8222;low&#8220; energy and not so good art at the beginning.. but the longer I checked in the more I found some really very impressive art..<br />
you can find these in this small gallery..</p>
<p><a href="https://contre-jour.info/portfolio/cank/">see the gallery</a></p>
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		<title>Fibonnaci(1000)</title>
		<link>https://contre-jour.info/2023/08/fibonnaci1000/</link>
		
		<dc:creator><![CDATA[Karlo]]></dc:creator>
		<pubDate>Sun, 20 Aug 2023 17:06:11 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Programming]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[mathematic]]></category>
		<guid isPermaLink="false">https://contre-jour.info/?p=4522</guid>

					<description><![CDATA[26863810024485359386146727202142923967616609318986952340123175997617981700247881689338369654483356564191827856161443356312976673642210350324634850410377680367334151172899169723197082763985615764450078474174626 Let me quote the following with a good overview of what happened in italy at 1200 ac from https://www.i-programmer.info/news/85-humour-/15891-fibonacci-day-2022.html The man of the hour, or rather of the day, is Leonardo Bonacci one of [&#8230;]]]></description>
										<content:encoded><![CDATA[<pre>26863810024485359386146727202142923967616609318986952340123175997617981700247881689338369654483356564191827856161443356312976673642210350324634850410377680367334151172899169723197082763985615764450078474174626</pre>
<p>Let me quote the following with a good overview of what happened in italy at 1200 ac from<br />
<a href="https://www.i-programmer.info/news/85-humour-/15891-fibonacci-day-2022.html">https://www.i-programmer.info/news/85-humour-/15891-fibonacci-day-2022.html</a></p>
<pre>The man of the hour, or rather of the day, is Leonardo Bonacci one of the most prominent mathematicians of the Middle Ages. Son of an Italian merchant and customs official who ran a trading post in Bugia in modern day Algeria, Bonnaci was educated in Bugia where he learned about the Hindu-Arabic numeral system with its 10 digits (including 0) and place value system. So when as a young boy he travelled around the Mediterranean with his father, meeting merchants and observing their methods of doing arithmetic he appreciated its advantages over the Roman numerals still in use in Europe.
His first claim to fame is that in 1202, he completed the <i>Liber Abaci</i> (<i>Book of Abacus</i> or <i>The Book of Calculation</i>), which, written in Latin, popularized Hindu-Arabic numerals in Europe. The first translation of this book, one of the most important books in the history if European mathematics, into Modern English was made for the 800th anniversary of its original publication and it is regarded as a Best Seller on Amazon - see side panel.
As well as showing introducing numerals and their practical use in for example converting different currencies, and calculating profit and interest, the book also discussed irrational numbers and prime numbers. It also posed and solved a problem involving the growth of a population of rabbits:
<em>“A certain man put a pair of rabbits in a place surrounded by a wall. How many pairs of rabbits can be produced from that pair in a year if it is supposed that every month each pair begets a new pair from which the second month on becomes productive?”</em>
The solution, generation by generation, is the sequence of numbers we now refer to as Fibonacci numbers.
From the name you might assume he "invented them" but in fact the sequence had been described by Indian mathematicians as early as 200 BC in work by Pingala on enumerating possible patterns of Sanskrit poetry formed from syllables of two lengths. Wikipedia tells us that the name "Fibonacci", derived from "filo Bonacci" meaning "son of Bonacci"  was "made up in 1838 by the Franco-Italian historian Guillaume Libri" whereas during his lifetime Leonardo Bonacci was also known as "Leonardo Bigollo Pisano", Leonardo the traveller from Pisa.  
As well as modelling the population of rabbits, the Fibonacci sequence crops up time and time again in nature.
Petal arrangements in flowers, the ordering of leaves in plants, the shell of the nautilus, spirals in pineapples, the DNA molecule and even hurricanes show patterns that correspond to the sequence. In addition data storage and processing uses this number sequence and is also useful in the trading of stocks and architecture. 
After the first four numbers, the ratio of any number to its next highest number approaches 1.618, the <a href="https://en.wikipedia.org/wiki/Golden_ratio" target="_blank" rel="noopener">Golden Ratio</a> which, as well as being evident in the natural world, is prized in art and architecture -objects whose length and breadth exhibit the Golden Ratio are thought to be the most pleasing to the eye.
And to return to the question posed at the start, November 23 is Fibonacci day because when the date is written in the mm/dd format (11/23), the digits in the date form a Fibonacci sequence: 1,1,2,3. But you knew that already.</pre>
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		<title>Inside &#8211; Outside Grosse Freiheit</title>
		<link>https://contre-jour.info/2023/08/inside-outside/</link>
					<comments>https://contre-jour.info/2023/08/inside-outside/#respond</comments>
		
		<dc:creator><![CDATA[Karlo]]></dc:creator>
		<pubDate>Sun, 20 Aug 2023 11:38:59 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[behind the scene]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[photography]]></category>
		<guid isPermaLink="false">http://contre-jour.photography/?p=1063</guid>

					<description><![CDATA[Inside &#8211; Outside at Grosse Freiheit 114 in Berlin Behind-the-scenes captures from the @mistergomcom music video shoot! Location: @grosse_freiheit_114 Direction: @gregormarvel and @sally_b13 Cinematography: @sally_b13 Lights: @contre.jour Script: @gregormarvel Performers: @aidagey, @davewrs, @la_valentina_de_monia, @leobyleob Props [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Inside &#8211; Outside at Grosse Freiheit 114 in Berlin<br />
Behind-the-scenes captures from the <a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" tabindex="0" role="link" href="https://www.instagram.com/mistergomcom/">@mistergomcom</a> music video shoot!</p>
<p>Location: <a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" tabindex="0" role="link" href="https://www.instagram.com/grosse_freiheit_114/">@grosse_freiheit_114</a><br />
Direction: <a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" tabindex="0" role="link" href="https://www.instagram.com/gregormarvel/">@gregormarvel</a> and <a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" tabindex="0" role="link" href="https://www.instagram.com/sally_b13/">@sally_b13</a><br />
Cinematography: <a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" tabindex="0" role="link" href="https://www.instagram.com/sally_b13/">@sally_b13</a><br />
Lights: <a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" tabindex="0" role="link" href="https://www.instagram.com/contre.jour/">@contre.jour</a><br />
Script: <a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" tabindex="0" role="link" href="https://www.instagram.com/gregormarvel/">@gregormarvel</a><br />
Performers: <a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" tabindex="0" role="link" href="https://www.instagram.com/aidagey/">@aidagey</a>, <a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" tabindex="0" role="link" href="https://www.instagram.com/davewrs/">@davewrs</a>, <a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" tabindex="0" role="link" href="https://www.instagram.com/la_valentina_de_monia/">@la_valentina_de_monia</a>, <a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" tabindex="0" role="link" href="https://www.instagram.com/leobyleob/">@leobyleob</a><br />
Props &amp; Costume: <a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" tabindex="0" role="link" href="https://www.instagram.com/friendlysocietyberlin/">@friendlysocietyberlin</a>, <a class="x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" tabindex="0" role="link" href="https://www.instagram.com/gregormarvel/">@gregormarvel</a> &amp; Tarik</p>
<p>The Gallery can be found here: <i class="pixcode  pixcode--icon  icon-chevron-circle-right      icon-border"></i> <a href="https://contre-jour.info/portfolio/inside-outside-at-grosse-freiheit-114-in-berlin/">Inside Outside Grosse Freiheit</a></p>
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		<title>Music for Ambient Silence</title>
		<link>https://contre-jour.info/2018/12/music-for-ambient-silence/</link>
		
		<dc:creator><![CDATA[Karlo]]></dc:creator>
		<pubDate>Sat, 15 Dec 2018 13:23:38 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Burning Man]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Music - Ambient]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[burning man]]></category>
		<guid isPermaLink="false">http://contre-jour.photography/?p=1464</guid>

					<description><![CDATA[There is a need to have sometimes some ambient inner silence to bridge, to let flow some inner restless psychotic motion, missing calm and a feeling of unsatisfaction.. Acid Pauli and Eva Kaczor created with [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>There is a need to have sometimes some ambient inner silence to bridge, to let flow some inner restless psychotic motion, missing calm and a feeling of unsatisfaction..</p>
<p>Acid Pauli and Eva Kaczor created with &#8222;Psychodelic Breath&#8220; some music expressions which can stimulate for a new way of meditation.. Beathing inner connections by music..<br />
Maybe this all is nonsense and rubish.. but at least it is my current feeling and the path I would like to follow:</p>
<p style="text-align: right;"><em>Is it a glass sphere this burning man thing or a kind of psychotic inspiration and social tranquilizer for the rich kids?</em></p>
<p style="text-align: right;"><em>All of this might be a good question and there is also a good reason to ask this.. </em><br />
<em>for me it was and it is a door, a backdoor to escape and go out of myself and do art and do things with inspirations what I should have done much earlier before and with much more consequence.</em><br />
<em>With this it is the opposite of a dream world but in fact it is an option not to <span class="text_exposed_show">try something but to live something and check it out..<br />
With this I do not see this bm thing as a glass spere.. No not at all.. </span></em></p>
<div class="text_exposed_show">
<p style="text-align: right;"><em>get inspired by the live.. try out yourself.. and do it..</em></p>
</div>
<p><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/501623511&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true" width="100%" height="300" frameborder="no" scrolling="no"></iframe></p>
<p><img decoding="async" class="alignnone size-large wp-image-1466" src="http://contre-jour.photography/wp-content/uploads/2018/12/CJ8_5677-2018x1410.jpg" alt="" width="2018" height="1410" srcset="https://contre-jour.info/wp-content/uploads/2018/12/CJ8_5677-2018x1410.jpg 2018w, https://contre-jour.info/wp-content/uploads/2018/12/CJ8_5677-1536x1073.jpg 1536w, https://contre-jour.info/wp-content/uploads/2018/12/CJ8_5677-2048x1431.jpg 2048w, https://contre-jour.info/wp-content/uploads/2018/12/CJ8_5677-600x420.jpg 600w, https://contre-jour.info/wp-content/uploads/2018/12/CJ8_5677-768x537.jpg 768w, https://contre-jour.info/wp-content/uploads/2018/12/CJ8_5677-400x280.jpg 400w, https://contre-jour.info/wp-content/uploads/2018/12/CJ8_5677-1920x1342.jpg 1920w, https://contre-jour.info/wp-content/uploads/2018/12/CJ8_5677.jpg 1024w" sizes="(max-width: 2018px) 100vw, 2018px" /></p>
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		<title>Electro ArtCar Mix &#8211; Mayan Warrior x Robot Heart</title>
		<link>https://contre-jour.info/2016/12/electro-artcar-mix-mayan-warrior-x-robot-heart/</link>
					<comments>https://contre-jour.info/2016/12/electro-artcar-mix-mayan-warrior-x-robot-heart/#respond</comments>
		
		<dc:creator><![CDATA[Karlo]]></dc:creator>
		<pubDate>Wed, 28 Dec 2016 23:58:42 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Burning Man]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[burning man]]></category>
		<category><![CDATA[electro]]></category>
		<category><![CDATA[jennifer cardini]]></category>
		<category><![CDATA[mayan warrior]]></category>
		<category><![CDATA[robot heart]]></category>
		<guid isPermaLink="false">http://contre-jour.photography/?p=837</guid>

					<description><![CDATA[One of the most inspiring moments was the mixup of the two soundcars on deep playa. With mayan warrior and robot heart the setting was so stunning and then jenniver cardini managed to mix both [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>One of the most inspiring moments was the mixup of the two soundcars on deep playa.</p>
<p>With mayan warrior and robot heart the setting was so stunning and then jenniver cardini managed to mix both into an incredible area of float rhytmn and sound.<br />
This is a must heard and of course been seen.</p>
<p>&nbsp;</p>
<div class="jetpack-video-wrapper"><iframe loading="lazy" title="Jennifer Cardini - Mayan Warrior x Robot Heart Tie Up - Burning Man - 2016" src="https://player.vimeo.com/video/185157130?dnt=1&amp;app_id=122963" width="1778" height="1000" frameborder="0" allow="autoplay; fullscreen; picture-in-picture"></iframe></div>
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		<title>La Merda &#8211; SILVIA GALLERANO</title>
		<link>https://contre-jour.info/2016/12/la-merda/</link>
					<comments>https://contre-jour.info/2016/12/la-merda/#respond</comments>
		
		<dc:creator><![CDATA[Karlo]]></dc:creator>
		<pubDate>Sun, 25 Dec 2016 16:34:19 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Performance & theatre]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[youtube]]></category>
		<guid isPermaLink="false">http://contre-jour.photography/?p=754</guid>

					<description><![CDATA[it hurts to see that we do have such amazing artists doing these awesome performances.. we need more performances in the world.. &#62; found on youtube &#60; &#160;]]></description>
										<content:encoded><![CDATA[<p>it hurts to see that we do have such amazing artists doing these awesome performances..</p>
<p>we need more performances in the world..<br />
&gt; found on youtube &lt;</p>
<p>&nbsp;</p>
<div class="jetpack-video-wrapper"><iframe loading="lazy" title="LA MERDA (ITA)" width="1778" height="1000" src="https://www.youtube.com/embed/aL1NKeLqlrU?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
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		<title>Lightroom fehlende Funktionen</title>
		<link>https://contre-jour.info/2016/10/lightroom-fehlende-funktionalitaet-wordpress/</link>
					<comments>https://contre-jour.info/2016/10/lightroom-fehlende-funktionalitaet-wordpress/#respond</comments>
		
		<dc:creator><![CDATA[Karlo]]></dc:creator>
		<pubDate>Sat, 29 Oct 2016 16:47:38 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Lightroom]]></category>
		<category><![CDATA[Software]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[missing functions]]></category>
		<guid isPermaLink="false">http://contre-jour.photography/?p=524</guid>

					<description><![CDATA[WordPress Man fragt sich ja wirklich warum Lightroom keine einfache Möglichkeit bereitstellt dass man eine Auswahl oder ein Album automatisch im Hintergrund laufend in WordPress bereitstellen kann. Zusätzlich wünscht man sich dass man den Code [&#8230;]]]></description>
										<content:encoded><![CDATA[<i class="pixcode  pixcode--icon  icon-e-traffic-cone    big  "></i> WordPress</p>
<p>Man fragt sich ja wirklich warum Lightroom keine einfache Möglichkeit bereitstellt dass man eine Auswahl oder ein Album automatisch im Hintergrund laufend in WordPress bereitstellen kann.<br />
Zusätzlich wünscht man sich dass man den Code der Gallerie auch noch bestimmen kann, so dass es beispielsweise gleich als Project zur Verfügung steht. Die große Luxusversion wäre dann noch wenn man die Bilder aktualisieren bzw synchronisieren kann und man einfach nur noch angeben müsste &#8222;grosser Desktop&#8220;, &#8222;kleiner Desktop&#8220;, &#8222;Pad&#8220; oder &#8222;Mobilversion&#8220; damit die Application gleich die verschiedenen Auflösungen optimiert hochlädt.</p>
<p>Leider passiert das nicht und wird wohl auch nicht kommen &#8211; sehr schade.</p>
<p>Es gibt zwar ein paar Plugins die den Export auf einen Server ermöglichen, aber damit ist natürlich weder sync noch aktualisieren gemeint sondern nur eine Art &#8222;FTP Push&#8220;.<br />
Immerhin kann man das verwenden um die Bilder in einem Schwung kurz hochzuladen, am Besten in ein seperates Verzeichnis, um die Bilder dort in WordPress mit dem Plugin &#8222;Add from Server&#8220; in die Mediathek einzuladen.</p>
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